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The Ceremonial Bar and Associated Features of Maya Ornamental Art

Bibliographic Data

ID2561079
AuthorsWalter W Taylor (0000-0001-6800-2641, Robert S. Peabody Museum of Archaeology, corresponding author)
Year1941
Volume7
Issue1
Pages48-63
Publication date1941-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAmerican Antiquity (JOURNAL)
Journal identifiersISSN: 0002-7316 • E-ISSN: 2325-5064
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.2307/275325
OpenAlexW2312785018
LanguageEN
Citations received2
References cited3

In 1913, Spinden published his monumental work on the artistic forms in Maya culture. Since that time, many of his statements have assumed axiomatic character in the literature and discussion of Maya archaeology. However, as was to be expected, new information has tended to modify some of the generalizations put forward in 1913. In the present paper, I would like to offer evidence to support the hypothesis that certain artistic compositions, treated separately by Spinden, actually are members of a single complex, and then to review some of his generalizations in the light of this evidence and Maya chronology.The complex which I propose to demonstrate consists of the Ceremonial Bar, the Bar Pendant, and the Frieze-mask. It is my thesis that the Bar Pendant is the conceptual equivalent of the Ceremonial Bar and, in actual practice, is substituted for the latter. Similarly, the Friezemask is conceptually connected with the Bar and, thus, directly or indirectly, with the Pendant

Archaeology · Art · Art history · Axiom · Bar (unit) · Character (mathematics) · Frieze · Geography · Geometry · Literature · Maya · Archaeological and Geological Studies · Archaeology and Cultural Heritage · History · Latin American history and culture · Mathematics

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Unique citing works2
Citations per year0,06
Citation span1994 - 2008 (15)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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