High Art Down Home
An Economic Ethnography of a Local Art Market
Bibliographic Data
| ID | 2579183 |
|---|---|
| Authors | Jeremy Macclancy, Stuart Plattner |
| Year | 1998 |
| Volume | 4 |
| Issue | 2 |
| Pages | 361 |
| Publication date | 1998-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of the Royal Anthropological Institute (JOURNAL) |
| Journal identifiers | ISSN: 1359-0987 • E-ISSN: 1467-9655 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/3034517 |
| OpenAlex | W2056118796 |
| Language | EN |
| Citations received | 48 |
How do artists, collectors, dealers, and curators whose lives and livelihoods are so intimately affected by the valuation of art manage to cope with such an intangible market?To answer this question, Stuart Plattner eschews the spotlights and media-hype of glitzy New York galleries, and focuses instead upon the more localized, and much more typical, world of the St. Louis art scene. What emerges is the most comprehensive description ever published of a contemporary regional avant-garde center, where noble aesthetic ambitions compete with the exigencies of economic survival. Plattner's skillful use of in-depth interviews enables the market's key participants to speak for themselves, giving voice to the many frustrations and rewards, motivations and constraints that influence their interactions with their work, the market, and each other.Plattner analyzes the social and economic factors that govern art markets outside the long shadow cast by chic New York galleries. An insightful and fascinating work.-- Library Journal Explains much about the conundrums and paradoxes of the art world as a whole.--Eddie Silva, Riverfront Times
Aesthetics · Art · Art market · Ethnography · Sociology · Anthropology · Art History and Market Analysis · Cultural Industries and Urban Development · History · Museums and Cultural Heritage
Thomas Kinkade
Auctions, Rituals and Emotions in the Art Market
Art, Anthropological Aspects of
Museum Anthropology
Conceiving Artistic Work in the Formation of Artist Policy
The social construction of quality
Alternative Spaces & Artist Agency in the Art Market
Theatres as risk societies
Bringing art to market
Between the market and noncommercial art institutions
Oaxacan Wood Carvings in the World of Fine Art
More Than Just a Fashion Magazine
Artistic Prosumption
Re-totalizing Culture
Resisting the Pressures of the Global Art Market
The Soft Power of Framing
Shifting Artistic Identity on Canvas
Social Regulation of Consumer Risks in Present Conditions
Symbolic meanings of prices
Towards an Institutionalist Political Economy
Finding New Directions in Economic Anthropology (translated by Lidiya Okolskaya)
The Policy of Competition Support
The Role of Internal Firm Processes and Structures in the Income Inequality Formation
"The Series "Russian Overseas
The gift of Tsochen Mam
They don't even know how to copy
Forging Distinct Paths Towards Authentic Identity
Critical circles and regional reputations
Urban Redevelopment, Cultural Philanthropy and the Commodification of Artistic Authenticity in Toronto
A Market in Vogue
Globalization of Markets for Contemporary Art
Private art collectors on motivations to donate, deposit, or lend out artworks in Norway
Anthropologies of art
Network Dynamics and Market Structure
The organization of creativity in Japanese advertising production
Circuits of African Art / Paths of Wood
Les rapports d'appartenance aux lieux de création et l'art contemporain en région périphérique
The future in the social sciences
Mapping the Web of Relations
How to become a judgment device
Art at the crossroads
The market metaphors
A Most Ingenious Paradox
Disturbances in the field
What's in a Price
An Ethnography of Neoliberalism
Portraiture and Proximity
Forms of uncertainty reduction
| Unique citing works | 48 |
|---|---|
| Citations per year | 1,71 |
| Citation span | 1998 - 2025 (28) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 46 |