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Archiving Africanness in Sacred Song

Bibliographic Data

ID2605656
AuthorsCarol Muller (corresponding author), Carol A Muller
Year2002
Volume46
Issue3
Pages409
Publication date2002-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueEthnomusicology (JOURNAL)
Journal identifiersISSN: 0014-1836 • E-ISSN: 2156-7417
PublisherUniversity of Illinois Press (PUBLISHER • US)
DOI10.2307/852717
OpenAlexW2328138318
LanguageEN
Citations received16
References cited15

S'appuyant sur des reflexions recentes qui proposent d'etendre la definition conventionnelle de l'archive, de l'archiviste, et du processus d'archivage, l'A. suggere que certains types de composition musicale peuvent etre consideres comme une pratique d'archivage, qui permet la conservation et la recuperation ou le sauvetage de styles et pratiques historiques dans des situations de perte, tant dans des contextes de cultures de l'ecriture ou de l'oralite. S'inspirant notamment des approches de J. Derrida (la fievre de l'archive) et de S. Stewart (narration, souvenir et collection), l'A. illustre son propos a travers trois moments et personnages historiques, deux d'Afrique du Sud, Isaiah Shembe et Nathoya Mbatha, le troisieme, David Fanshawe, un explorateur-voyageur musical britannique dans l'Afrique du Nord et de l'Est des annees 1960-1970. L'A. soutient que les trois ont utilise la composition musicale et l'arrangement comme archive, comme espace de conservation, dans lequel ils ont insere l'Africanite en tant que style et/ou en tant que son

Art · Literature · Visual arts · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis

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Unique citing works16
Citations per year0,8
Citation span2006 - 2026 (21)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 14

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