Economy or Ethnography
Vladimir Tkalčić’s Role during the First Phase of Work of the Ethnographic Museum in Zagreb
Bibliographic Data
| ID | 2617865 |
|---|---|
| Authors | Aida Brenko (0000-0003-4912-0081, Ethnographic Museum, corresponding author) |
| Year | 2022 |
| Issue | 27 |
| Pages | 304-319 |
| Publication date | 2022-12-31 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Etnološka istraživanja (JOURNAL) |
| Journal identifiers | ISSN: 0351-4323 • E-ISSN: 1847-6198 |
| Publisher | Etnografski Muzej Zagreb (PUBLISHER) |
| DOI | 10.32458/ei.27.17 |
| OpenAlex | W4320007080 |
| Language | EN |
| References cited | 3 |
The text depicts the role of Vladimir Tkalčić in the Ethnographic Museum in Zagreb from 1919 to 1934, a period characterised by the so-called diarchy between him and Salamon Berger. Various museological and expert concepts that they represented and implemented were a reflection of new ideas and inherited concepts in turbulent times after World War I and the establishment of a new state, the Kingdom of Serbs, Croats and Slovenes. Tentatively, we can speak of a 'scientific' approach and a 'commercial' approach that juxtaposed, intertwined, and complemented each other. The data from the museum documentation show that S. Berger understood the activities of the Museum as a continuation of his previous trade and craft practices, while V. Tkalčić sought to introduce museological and scientific principles in the museum work
Art · Art history · Craft · Documentation · Ethnography · Sociology · Visual arts · Anthropology · Balkan and Eastern European Studies · Balkans: History, Politics, Society · Computer Science · Cultural Heritage Management and Preservation · History
| Citation velocity | historical |
|---|---|
| Highly cited | No |