Christine and the Queens at the BBC
Hybridity, Relation, Tilting
Bibliographic Data
| ID | 2626316 |
|---|---|
| Authors | M Munro (0000-0003-2921-5585, Florida State University, corresponding author) |
| Year | 2023 |
| Volume | 48 |
| Issue | 4 |
| Pages | 373-387 |
| Publication date | 2023-12-16 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary French Civilization (JOURNAL) |
| Journal identifiers | ISSN: 0147-9156 • E-ISSN: 2044-396X |
| Publisher | Liverpool University Press (PUBLISHER • GB) |
| DOI | 10.3828/cfc.2023.22 |
| OpenAlex | W4389827940 |
| Language | EN |
| References cited | 2 |
This article reads 2016 as a breakthrough year for Christine and the Queens in the United Kingdom, particularly England. Through analyzing a select corpus of interviews and performances, I argue that the artist's personal breakthroughs occur in a context of changing UK-European relations, and indeed of the ever-changing persona of Christine, who changes constantly and yet stays the same in crucial regards. I read such evolving identities and relations with reference to the thought of the Martinican theorist Édouard Glissant
Art · Biology · Context (archaeology) · Database · Humanities · Hybridity · Kingdom · Media studies · Persona · Relation (database) · Sociology · Anthropology · Computer Science · History · Irish and British Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |