What's at Stake? History Wars, the NMA and Good Government

Bibliographic Data

ID2641884
AuthorsJulie Marcus (Film Independent, corresponding author)
Year2013
Volume10
Issue1
Pages134-148
Publication date2013-09-13
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCultural Studies Review (JOURNAL)
Journal identifiersISSN: 1446-8123 • E-ISSN: 1837-8692
PublisherUniversity of Technology, Sydney (UTS) (PUBLISHER)
DOI10.5130/csr.v10i1.3548
OpenAlexW2003516731
LanguageEN
Citations received5

I want to place the fate of the National Museum of Australia (NMA) in the context of some of the political strategies that underpin the electoral placidity and public acceptance of a government so radically reshaping Australian democratic institutions. A national museum that reaches and engages with a national constituency can be an important place for the vigorous public debate that democracy requires. In such a place, political doctrines and dogmas, cultural fantasies and assumptions, historical interpretations and good old common-sense may all be scrutinised as well as confirmed. Such a place sits beside schools and universities, public libraries and art galleries and festivals, each of which provides the opportunity for reflection as well as for congratulation. As with the other publicly funded but independent sites of public reflection, the National Museum is to be reined in and redirected. It is to become 'balanced'. Nothing could more surely ring its death knell. In future, the museum's visitors will reflect along the narrow and limited lines of carefully delineated 'alternatives' that in fact confine and constrain rather than enlarge understanding

Context (archaeology · Democracy · Epistemology · Government (linguistics · Media studies · Nothing · Political science · Politics · Project commissioning · Publishing · Sociology · Cultural Heritage Management and Preservation · History · Law · Memory, Trauma, and Commemoration · Museums and Cultural Heritage · Public Administration

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Open DOISci-HubOpen Access