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Dreaming of Others

Carpentaria and its Critics

Bibliographic Data

ID2641987
AuthorsAlison Ravenscroft (0000-0002-5221-409X, La Trobe University, corresponding author)
Year1970
Volume16
Issue2
Publication date1970-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCultural Studies Review (JOURNAL)
Journal identifiersISSN: 1446-8123 • E-ISSN: 1837-8692
PublisherUniversity of Technology, Sydney (UTS) (PUBLISHER)
DOI10.5130/csr.v16i2.1700
OpenAlexW2105145667
LanguageEN
Citations received17
References cited5

White critical efforts to make meaning of Alexis Wright's Carpentaria have sought to anchor it to the big names among white Australian novelists. Such moves presume to make Wright indebted to these literary 'masters', assessing the significance of her text by its proximity to theirs. This article explores how in these critics' eyes white creativity appears as if it were the original creativity and argues that such moves are a way of refuses the text's unfamiliarity and strangeness to a white reader

Aesthetics · Art · Art history · Carpentaria · Creativity · Epistemology · Literature · Meaning (existential · Media studies · Political science · Project commissioning · Publishing · Sociology · White (mutation · Wright · Global Maritime and Colonial Histories · Law · Philosophy · Travel Writing and Literature

  • Questions of Genre, Refusal, and Cultural Adaptation in Alexis Wright’s Carpentaria

    Open Access•Michael R Griffiths, Michael Griffiths•Commonwealth Essays and Studies•2022

  • Alexis Wright’s fiction, Aboriginal Realism, and the Sovereignty of the Indigenous Mind

    Open Access•Cornelis Martin Renes•Commonwealth Essays and Studies•2022

  • An Indigenous Grand Narrative Voice

    Open Access•Eugenia Flynn•Commonwealth Essays and Studies•2022

  • Perception Revitalisation and Resistance in The Swan Book

    Open Access•Temiti Lehartel•Commonwealth Essays and Studies•2022

  • ‘Warring factions and community disputes’

    Open Access•Xavier Pons•Miranda•2022

  • “An Indigenous Sovereignty of the Imagination”

    Liz Shek-Noble•Genre•2021

  • Delineating Ecoethics in Alexis Wright’s Carpentaria and The Swan Book

    Open Access•Minimol P G, P G Minimol et al.•Humanities•2025

  • Land as an Indigenous Archive in Yvonne Vera’s The Stone Virgins

    Ivana Ancic•English Language Notes•2024

  • “Invisible Things in Nature”

    Open Access•Frances Devlin‐Glass, Frances Devlin-Glass•Reflexive Ethnographic Practice•2020

  • A Commons beyond the Human

    Open Access•Yanbing Er•Environmental Humanities•2023

  • Anthropocene Presences and the Limits of Deferral

    Open Access•K Crane•Open Library of Humanities•2019

  • Towards an Existential Pluralism

    Open Access•Catherine Noske•Cultural Studies Review•2015

  • Sustainable Groundwater Stories – From Disasters to Epical Narration

    Open Access•Deborah Wardle•Junctures The Journal for…•2020

  • A higher education pedagogy for settler listening with Alexis Wright’s Carpentaria

    Open Access•Linda Daley, Lisa Waller•The Review of Education Pedagogy…•2024

  • Towards a Literary Jurisprudence of Harm

    Honni Van Rijswijk•Canadian Journal of Women and the…•2015

  • Long History, Deep Time

    Open Access•A Mcgrath, Mary Anne Jebb•Long History, Deep Time•2015

  • The politics of indigeneity, identity and representation in literature from north Australia's Gulf Country

    Richard J Martins, Richard Martins et al.•Social Identities•2014

  • Hunters and Collectors

    Tom Griffiths•Hunters and Collectors•1997

  • A Politics of the Dreamtime

    Open Access•Frances Devlin‐Glass, Frances Devlin-Glass•Australian Literary Studies•2008

  • Coming to matter

    Alison Ravenscroft•Postcolonial Studies•2007

  • Past-on Stories

    P Gabrielle Foreman•Feminist Studies•1992

  • On Being Woken Up

    Open Access•Patrick Wolfe•Comparative Studies in Society…•1991

Unique citing works17
Citations per year1,42
Citation span2014 - 2025 (12)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 17

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