For an Equi-vocal Becoming
Danielle Schlomit Sofer's Sex Sounds and Affective Politics
Bibliographic Data
| ID | 2651861 |
|---|---|
| Authors | Chris Stover (0000-0003-3046-7704, corresponding author) |
| Year | 2023 |
| Volume | 7 |
| Issue | 1 |
| Pages | 23-33 |
| Publication date | 2023-10-07 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Extreme Anthropology (JOURNAL) |
| Journal identifiers | ISSN: 2535-3241 • E-ISSN: 2535-3241 |
| Publisher | University of Oslo Library (PUBLISHER • NO) |
| DOI | 10.5617/jea.10634 |
| OpenAlex | W4387424515 |
| Language | EN |
| References cited | 2 |
Electronic music in any of its manifold forms—from abstract analog or digital experiments to, frankly, anything produced using recording technology—affords the possibility of new modes of intersubjective relationality, including new spatial comportments with experienced sounds, new forms of immersion in an ongoing soundscape, and of course new sounds entirely, or new kinds of transformations of existing sounds
Political science · Politics · Speech recognition · Communication · Computer Science · Law · Music History and Culture · Psychology
| Highly cited | No |
|---|