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To Exist is a Form of Resistance

Photography as Art Activism

Bibliographic Data

ID2651879
AuthorsSarah Allen (0000-0003-0274-4137), Sarah Oxenham Allen (The National Gallery, corresponding author), Aina Landsverk Hagen (0000-0002-5228-8793, OsloMet – Oslo Metropolitan University)
Year2025
Volume8
Issue1
Pages123-129
Publication date2025-01-07
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Extreme Anthropology (JOURNAL)
Journal identifiersISSN: 2535-3241 • E-ISSN: 2535-3241
PublisherUniversity of Oslo Library (PUBLISHER • NO)
DOI10.5617/jea.12100
OpenAlexW4406144867
LanguageEN

Photography has long been associated with acts of resistance. In this interview, Sarah Allen, Head of Programme and co-curator of the exhibition Acts of Resistance: Photography, Feminisms and the Art of Protest at the South London Gallery, elaborates on the reasoning behind the show. The show includes works from 2012 to the present day, offering what The Guardian newspaper described as 'a visual manifesto of the fourth wave of feminism'. The artworks illustrate how social media is influencing the creation and circulation of protest images and problematizes the photograph as 'evidence', thus breathing new life into the medium as an art form of protest. The selected artists are all moving beyond a documentary 'style' protest image towards work which embraces collage, the internet and performance. In the public programme of the exhibition, workshop participants were invited to conceptualise the interconnectedness of feminist struggles and how to organise across borders. Allen argues that public galleries play a vital role in platforming artists dealing with pressing social justice issues of the day

Art · Exhibition · Feminism · Guardian · Manifesto · Media studies · Newspaper · Photography · Political science · Sociology · Visual arts · Art, Politics, and Modernism · Cultural Industries and Urban Development · Gender Studies · Law · Participatory Visual Research Methods

Citation velocityhistorical
Highly citedNo

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