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Teatrets Rum

En analyse af scenen i Shakespeares verden

Bibliographic Data

ID2654487
AuthorsKirsten Hastrup (Globe University, corresponding author)
Year1997
Issue35-36
Publication date1997-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTidsskriftet Antropologi (BOOK_SERIES)
Journal identifiersISSN: 0906-3021 • E-ISSN: 2596-5425
PublisherDet Kgl. Bibliotek/Royal Danish Library (PUBLISHER)
DOI10.7146/ta.v0i35-36.115272
OpenAlexW3196720393
LanguageEN
Citations received1
References cited7

Kirsten Hastrup: Theatre's Space. An Analysis of the Stage in the World of Shakespeare In this article it is suggested that historically and structurally, Shakespeare's theatre belongs to a liminal space, on the threshold of the city, and of order. This position makes it possible for the theatre to incorporate the contradictions of society. The stage itself is an empty space, ready to be impregnated by the imagination of both players and audience. The nature of illusion on stage is discussed, and it is argued that on stage the distinction between illusion and reality dissolves. Theatre, on the whole, is a 'site of passage' where one is transported between worlds, equally real and powerful

Aesthetics · Art · Economics · Illusion · Liminality · Linguistics · Order (exchange · Stage (stratigraphy · Visual arts · Historical Art and Culture Studies · Historical Influence and Diplomacy · Philosophy · Psychology · Visual Culture and Art Theory

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    Open Access•Kirsten Hastrup•Space and Culture•2004

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    Edwin Ardener•Voice of Prophecy•1989

  • The Theatrical City

    Paul Griffith, Paul Griffiths et al.•The Economic History Review•1996

  • From Ritual to Theatre

    A Theodore Kachel, Victor Turner et al.•Journal for the Scientific Study…•1983

Unique citing works1
Citations per year0,05
Citation span2004 - 2004 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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