The Producer as Composer
Shaping the Sounds of Popular Music
Dados Bibliográficos
AUTOR(ES) | |
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ANO | 2005 |
TIPO | Book |
DOI | 10.7551/mitpress/5606.001.0001 |
ADICIONADO EM | 2025-08-29 |
Resumo
Virgil Moorefield's "The Producer as Composer: Shaping the Sounds of Popular Music" examines the often-overlooked role of the record producer in shaping the sound and direction of popular music. Moving beyond the traditional view of the producer as a mere technician, Moorefield argues that producers function as composers in their own right, making creative decisions that significantly impact the final product. He explores how producers contribute to arrangement, instrumentation, sonic texture, and overall aesthetic, drawing on a wide range of examples from various genres, including rock, pop, and electronic music. The book analyzes the collaborative relationships between producers and artists, highlighting the producer's influence on an artist's career trajectory and the evolution of popular music styles. Moorefield provides detailed case studies of influential producers such as George Martin, Phil Spector, and Brian Eno, demonstrating their unique approaches to record production and their lasting impact on the music industry.