Impossible Paradise
Sex and Functional Diversity in Oasis (Oasiseu, 2002)
Bibliographic Data
| ID | 2691266 |
|---|---|
| Authors | María Del Pino Santana Quintana |
| Year | 2019 |
| Volume | 23 |
| Issue | 3 |
| Pages | 101-113 |
| Publication date | 2019-09-01 |
| Open Access | Yes |
| Type | BOOK |
| Venue | Anclajes (JOURNAL) |
| Journal identifiers | ISSN: 0329-3807 • E-ISSN: 1851-4669 |
| Publisher | Universidad Nacional de La Pampa (PUBLISHER • AR) |
| DOI | 10.19137/anclajes-2019-2338 |
| OpenAlex | W2971972026 |
| Language | EN |
| References cited | 2 |
This article analyzes the representation of sexuality and functional diversity in the film Oasis (Oasiseu, 2002), directed by Lee Chang-dong. It explores how the film challenges conventional portrayals of disability and desire, focusing on the intimate relationship between two marginalized characters. The author argues that Oasis, while navigating complex ethical considerations, ultimately offers a nuanced and humanizing perspective on the intersection of disability, sexuality, and social stigma. The film's aesthetic choices, particularly its use of close-ups and long takes, are examined in relation to their contribution to the film's overall message of empathy and understanding
Art · Art history · Humanities · Paradise · Disability Rights and Representation
| Highly cited | No |
|---|