Sob o olhar da Sobrete
A linguagem do circo-teatro brasileiro na Cia. Os Fofo Encenam
Bibliographic Data
| ID | 2692959 |
|---|---|
| Authors | Katia Daher (corresponding author) |
| Year | 2018 |
| Publication date | 2018-04-10 |
| Open Access | No |
| Type | BOOK |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/d.27.2017.tde-31052017-102623 |
| OpenAlex | W2737288140 |
| Language | EN |
| References cited | 2 |
This study is the look of a sobrete actress about the theatrical language developed since 2003 by the company Os Fofos Encenam from the dialogue perspective with the brazilian drama-circus tradition. The actor and director Fernando Neves conducts the work of the group and, through the years, also devoted himself to the pedagogic work, which the pivot is the conventional scene that takes into consideration the specialization in a certain type of role -as in the old emploi system. Yet, the poetics of the theater of convention is suspended in order to be taken as means of manifestation of an artistic temperament of the actor. This procedure situates the actor in the exploration of the circus theatrical language guiding the type-character composition, through which the actor, making him/herself ready for direct contact with the audience, should operate the scene. This study approaches the development of this process, pedagogic and of creation, to reflect upon the modus operandi of the poetics of conventional scene, revealing the dynamics that inspires it and the actor's strategies to operate it, considering the work of the theater company Os Fofos Encenam in dialogue with the tradition of the popular actor
Aesthetics · Art · Convention · Drama · Humanities · Literature · Poetics · Poetry · Social science · Sociology · Visual arts · Arts and Performance Studies · Cultural, Media, and Literary Studies · History, Culture, and Society
| Citation velocity | historical |
|---|---|
| Highly cited | No |