Rattling Spears
A History of Indigenous Australian Art
Bibliographic Data
| ID | 2706536 |
|---|---|
| Authors | Joanna Gilmour (National Portrait Gallery, Canberra, corresponding author) |
| Year | 2017 |
| Volume | 48 |
| Issue | 3 |
| Pages | 453-455 |
| Publication date | 2017-07-03 |
| Open Access | No |
| Type | BOOK |
| Venue | Australian Historical Studies (JOURNAL) |
| Journal identifiers | ISSN: 1031-461X • E-ISSN: 1940-5049 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/1031461x.2017.1337485 |
| OpenAlex | W2740579915 |
| Language | EN |
| Citations received | 10 |
‘The crucial starting point of this book’, art historian Ian McLean states in his introduction to Rattling Spears, ‘is that Indigenous art has a modern history; it is one of the many modernisms pro
Art · Art history · Indigenous · Point (geometry · Art, Politics, and Modernism · Cultural Heritage Management and Preservation · History · Visual Culture and Art Theory
Indigenous art as decolonising truth-telling
Indigenous Agency in Australian Bark Painting
Is Prehistoric Art Solely About the Past? New Lives of Rock Art Images in Contemporary Art (From Siberia to Canada)
Repair in Australian Indigenous art
Representing Australian Aboriginal Music and Dance 1930-1970
Painting Country
More than Skin and Bones
Bark painting of Arnhem Land, Australia
Aboriginal dance as pedagogy
Marking Differences
| Citations per year | 1.25 |
|---|---|
| Citation span | 2018 - 2024 (7) |
| Highly cited | No |