Our Singing Country
John and Alan Lomax, Leadbelly, and the Construction of an American Past
Dados Bibliográficos
| ID | 2729632 |
|---|---|
| Autores | Benjamin Filene (0009-0001-9028-1146, autor correspondente) |
| Ano | 1991 |
| Volume | 43 |
| Fascículo | 4 |
| Páginas | 602 |
| Data de publicação | 1991-12-01 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | American Quarterly (JOURNAL) |
| Identificadores do periódico | ISSN: 0003-0678 • E-ISSN: 1080-6490 |
| Editora | JSTOR (PUBLISHER) |
| DOI | 10.2307/2713083 |
| OpenAlex | W2093195780 |
| Idioma | EN |
| Citações recebidas | 10 |
| Referências citadas | 13 |
THE depression and his wife to illness.Needing to make a fresh start, Lomax returned to the vocation he truly loved, collecting American folk songs.In 1933 he persuaded the Macmillan publishing company to contract for a book of songs, lined up charitable foundations to support a collecting expedition, and enlisted the Library of Congress's Archive of American Folk Song to provide recording equipment and to be the official repository of the materials he gathered.Then, with his seventeen-year-old son Alan to assist him and a 350-pound Presto recording machine built into the back seat of his car, Lomax set off to spend a summer collecting America's music. 1 The 1933 trip was only the first in a series of expeditions the Lomaxes made in the thirties and early forties, when they travelled tens of thousands of miles and made thousands of recordings. 2 One of the first people the Lomaxes recorded in 1933 was an African-American singer and guitarist named Huddie Ledbetter or "Leadbelly."The Lomaxes "discovered" Leadbelly while searching southern prisons for Negro work songs.Roughly forty-four years old at the time, Leadbelly was in Louisiana's Angola Prison for murder.He astonished the Lomaxes with the variety of songs he knew and the verve and virtuosity with which he played his twelve-string guitar.When Leadbelly was released in 1934, 3 the Lomaxes took him with them on their recording expeditions and, early in 1935, brought him to New York City.There they launched a barrage of publicity promoting him as the living embodiment of America's folk-song tradition.In addition to recording scores of Leadbelly's songs for the Library of Congress archive, the Lomaxes booked appearances for him at concerts and benefit performances, arranged commercial recording sessions for him, and even recreated the story of their "discovery" of him in a March of Time newsreel. 4though Leadbelly achieved only limited commercial success before his death in 1949, ultimately the Lomaxes established his place in America's popular music history.Leadbelly and Woody Guthrie, another singer whose career the Lomaxes helped shape, are considered folk forefathers of rock, pop, and blues.In 1988, CBS Records made a video entitled A Vision Shared: A Tribute to Woody Guthrie and Leadbelly, based on an album on which rock musicians from Bruce Springsteen to Bob Dylan to Brian Wilson of the Beach Boys covered Guthrie's and Leadbelly's songs.The video's narrator, folk-rock singer Robbie Robertson, describes Guthrie
Art · Art history · Economics · Management · Singing · Sociology · Diverse Musicological Studies · History · Music History and Culture · Musicology and Musical Analysis
Documentary expression and thirties America.
“Sinful Songs” of the Southern Negro
Black Culture and Black Consciousness
The roots of American left‐wing interest in folksong
Anthropology as Cultural Critique
The Leadbelly Songbook
Anglo-American Folksong Scholarship Since 1898
Big Road Blues
Lead Belly, Burl Ives, and Sam Hinton, with Replies, Rejoinder, and Last Word
Anglo-American Folksong Scholarship Since 1898
The Voice of the Folk
| Obras citantes distintas | 10 |
|---|---|
| Citações por ano | 0,63 |
| Intervalo de citações | 2010 - 2025 (16) |
| Velocidade de citação | recent |
| Altamente citado | Não |
| Tipos de citação | Neutras: 10 |