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Veiled Self, Transparent Meanings

Tuareg Headdress as Social Expression

Bibliographic Data

ID2733261
AuthorsSusan J Rasmussen (corresponding author)
Year1991
Volume30
Issue2
Pages101
Publication date1991-04-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEthnology (JOURNAL)
Journal identifiersISSN: 0014-1828 • E-ISSN: 2160-3510
PublisherJSTOR (PUBLISHER)
DOI10.2307/3773404
OpenAlexW2275288865
LanguageEN
Citations received8
References cited10

Many societies display a concern with the human head as central to personal and social identity. Treated as a dominant part of the body symbolically in art and literature, it often denotes the leader or chief, and has other connotations. A special sanctity is associated with the head, believed to be the seat or center of spiritual forces. Many authors point out that this central focus is influenced by concepts of the body and self as well as modes of perception (Biebuyck and Van den Abeele 1984:21-23; Seeger 1981; Borker 1978; Ben-Amos 1976). For this reason, the human head and its elaboration lend themselves well to recent anthropological interest in negotiation of meaning and personhood. The natural body is shaped into a cultural entity to convey different messages about the person. The elaborate care and adornment of the head suggests its extraordinary, metonymic significance. More than iconic, this significance has a vitality derived from everyday experience, so studies of head adornment need to be integrated closely with social organization and process. Here I seek to illuminate the significance of Tuareg headwear and the processes by which its meanings are constructed. This task requires examining headdress in context as social practice, rather than in isolation as static icon. Tuareg practices provide insights into these processes in the dynamics of men's faceveiling and women's headcovering. This article examines the role of headdress in the social construction of self among a seminomadic herding, gardening, and caravanning, socially stratified, Moslem people: the Kel Ewey Tuareg of northeastern Niger.1 Relations between the sexes are examined through the meaning of the women's headscarf (afar) and its male counterpart, the faceveil (tagelmust). In addition, I briefly consider female inversion of these practices: faceveiling during possession trance exorcism rituals. Why Tuareg women wear headscarves and men faceveils, how these headdresses contribute to everyday construction of person, and what constitutes their meaning as social experience are of central concern here. For both men and women, covering the head connotes transition in jural status and separating individual goals from group responsibilities. This takes the form of hiding personal sentiments, the literal and intended effect of headdress. Although noble masculine pride emphasizes self control, women are also pressured, through gossip and ridicule, to conceal emotions at life transitions. Thus both male and female headdress serve the importance of reserve. I argue that Tuareg headdress is a metonym for a larger whole; access to property. In this, men and women have distinct but interrelated positions and concerns in the inheritance system as domestic groups change. At transitional points in life, individuals take on roles guarding the transfer of property. These situations necessitate the practice of reserve and respect. Headdress embodies this

Expression (computer science) · Sociology · African history and culture analysis · Anthropology · Computer Science · Cross-Cultural and Social Analysis · Diverse multidisciplinary academic research · History

  • Matters of Taste

    Susan J Rasmussen, Susan Rasmussen•Journal of Anthropological Research•1996

  • Creativity, Conflict, and Power in Tuareg Spirit Possession

    Open Access•Susan J Rasmussen•Anthropology & Humanism•1993

  • When the Field Space Comes to the Home Space

    Susan J Rasmussen•Anthropological Quarterly•2003

  • Making Better "Scents" in Anthropology

    Susan J Rasmussen, Susan Rasmussen•Anthropological Quarterly•1999

  • Hot and Haute

    Amanda Gilvin•African Arts•2014

  • Re-casting the veil

    Open Access•Susan J Rasmussen•Culture & Psychology•2013

  • The World in Dress

    Karen Tranberg Hansen•Annual Review of Anthropology•2004

  • From childbearers to culture-bearers

    Susan J Rasmussen•Medical Anthropology•2000

  • Language in social groups

    John J Gumperz•Language in social groups•1971

  • The Forest of Symbols

    Victor Turner, Victor Witter Turner•The Forest of Symbols•1970

  • Sahara the Great Desert

    Dorothy Ford Mayhew, E F Gautier et al.•Sahara the Great Desert•1935

  • Nature and Society in Central Brazil

    Anthony Seeger•Nature and Society in Central…•1981

  • Art and the Perception of Women in Yorùbá Culture

    Open Access•Henry John Drewal•Cahiers d études africaines•1977

  • The Power of Headdresses

    Monni Adams, Daniel P Biebuyck et al.•Man•1986

  • Men and Animals in Benin Art

    Paula Ben-Amos•Man•1976

  • On Key Symbols1

    Open Access•B Ortner, Sherry B Ortner•American Anthropologist•1973

  • Social Distance and the Veil1

    Open Access•Robert F Murphy•American Anthropologist•1964

  • On Religious Change

    Open Access•Shlomo Deshen, Shlomo A Deshen•Comparative Studies in Society…•1970

Unique citing works8
Citations per year0,24
Citation span1993 - 2014 (22)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 8

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