Listening for Africa

Book Review| October 01 2021 Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins. David F. Garcia. Durham, NC: Duke University Press, 2017. xii, 360 pp., photographs, figures, notes, bibliography, index. Andrew J. Eisenberg Andrew J. Eisenberg New York University Abu Dhabi Search for other works by this author on: This Site Google Ethnomusicology (2021) 65 (3): 612–614. https://doi.org/10.5406/ethnomusicology.65.3.0612 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Andrew J. Eisenberg; Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins. Ethnomusicology 1 January 2021; 65 (3): 612–614. doi: https://doi.org/10.5406/ethnomusicology.65.3.0612 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressEthnomusicology Search Advanced Search The text of this article is only available as a PDF. Copyright 2021 by the Board of Trustees of the University of Illinois2021 Article PDF first page preview Close Modal You do not currently have access to this content

Active listening · Aesthetics · Art · Epistemology · Modernity · Sociology · Communication · Gender Studies · Music History and Culture · Philosophy