O Anjo e Suas Metas-Morfoses
Bibliographic Data
| ID | 2742365 |
|---|---|
| Authors | José Eduardo Martins (0000-0002-7839-1799, corresponding author) |
| Year | 1997 |
| Volume | 0 |
| Issue | 42 |
| Pages | 31 |
| Publication date | 1997-01-31 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista do Instituto de Estudos Brasileiros (JOURNAL) |
| Journal identifiers | ISSN: 0020-3874 • E-ISSN: 2316-901X |
| Publisher | Universidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA) (PUBLISHER) |
| DOI | 10.11606/issn.2316-901x.v0i42p31-42 |
| OpenAlex | W2064415291 |
| Language | EN |
Francisco Mignone in face the principles of the Nationalistic aesthetics proposed by Mário de Andrade. The need of adherence as a requirement for intellectual and artistic survival. A Parte do Anjo (The Angel ́s share), dated 1947, and the antagonisms. Thematics: plagiarize and skill, talent and technique, inborn genius and man made genius, national and international music, angel and devil, dynamic doubt and doubt with mistrust, Villa-Lobos and Camargo Guarnieri. Plurarism of the thought. A terminal Nationalism and modern trends of the Brazilian music
Aesthetics · Art · Art history · Face (sociological concept) · Genius · Nationalism · Political science · Social science · Sociology · Brazilian cultural history and politics · History, Culture, and Society · Law · Literature, Culture, and Criticism
| Highly cited | No |
|---|