Regina Gomide Graz
Modernismo, arte têxtil e relações de gênero no Brasil
Bibliographic Data
| ID | 2743151 |
|---|---|
| Authors | Ana Paula Cavalcanti Simioni (0000-0002-9305-6139, Escola Superior de Artes e Design, corresponding author) |
| Year | 2007 |
| Volume | 0 |
| Issue | 45 |
| Pages | 87 |
| Publication date | 2007-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista do Instituto de Estudos Brasileiros (JOURNAL) |
| Journal identifiers | ISSN: 0020-3874 • E-ISSN: 2316-901X |
| Publisher | Universidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA) (PUBLISHER) |
| DOI | 10.11606/issn.2316-901x.v0i45p87-106 |
| OpenAlex | W1993802393 |
| Language | EN |
| Citations received | 5 |
This article addresses how the discipline of art history is pervaded by gender issues, particularly in respect to textile works of art, which are traditionally less valued due to their association with craftsmanship and means identified as 'feminine in nature'. This case enlightens how historically, the discipline is based upon a hierarchy of objects, construed by categories that transcend the limits of what is 'purely aesthetic'. The life and work of Regina Gomide Graz - who introduced modern textile arts in Brazil - allows us to reflect upon the origins of categories of value (in the discipline of art history) and the way in which women artists were able to, concretely, negotiate positions within the modernist artistic circle, by dealing with diverse forms of social injunctions, such as the restrictions posed by artistic partnerships, and the consequent sexual division of labor, as well as socially widespread discourses on what constituted a 'feminine' art
Value (mathematics · Art, Politics, and Modernism · Fashion and Cultural Textiles · History, Culture, and Society
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,71 |
| Citation span | 2019 - 2026 (8) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 5 |