Pressentimento da promessa de felicidade o "samba da desilusão" de Paulinho da Viola
Bibliographic Data
| ID | 2743263 |
|---|---|
| Authors | Manoel Dourado Bastos (0000-0001-5874-2400, Universidade Estadual de Londrina, corresponding author) |
| Year | 2013 |
| Volume | 0 |
| Issue | 57 |
| Pages | 299 |
| Publication date | 2013-12-31 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista do Instituto de Estudos Brasileiros (JOURNAL) |
| Journal identifiers | ISSN: 0020-3874 • E-ISSN: 2316-901X |
| Publisher | Universidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA) (PUBLISHER) |
| DOI | 10.11606/issn.2316-901x.v0i57p299-324 |
| OpenAlex | W2108781978 |
| Language | PT |
| Citations received | 1 |
Paulinho da Viola is often highlighted as a traditionalist. But, what tradition? The debate on the samba configured a critical evaluation of the semi-eruditism characteristic of samba-canção, contrary to colloquialism of samba malandro. While the former would have a more subjective basis, the other would figure works universe and its antagonisms. Forming the Brazilian social tragedy, the samba of disillusion by Paulinho da Viola overcomes the dichotomy between colloquialism and semi-scholarship. The emancipation of materials promoted by Paulinho da Viola replaces people not as matter, but as a driving force for Brazilian music. Based on the interpretation of some of his sambas, this article presents how the tragic character of the sambas by Paulinho da Viola are the presentiment of promesse du bonheur figuration
Art · Art history · Character (mathematics) · Emancipation · Humanities · Literature · Peasant · Political science · Politics · Scholarship · Tragedy (event) · Viola · Arts and Performance Studies · Brazilian cultural history and politics · History · Literature, Culture, and Criticism
| Citations per year | 0.08 |
|---|---|
| Citation span | 2014 - 2014 (1) |
| Highly cited | No |