Arte e ofício
A trajetória do escultor e fundidor Roque de Mingo em São Paulo na primeira metade do século XX
Bibliographic Data
| ID | 2743739 |
|---|---|
| Authors | Rafael Dias Scarelli (0000-0002-6103-6539, Universidade de São Paulo, corresponding author) |
| Year | 2024 |
| Pages | 1-34 |
| Publication date | 2024-09-06 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista do Instituto de Estudos Brasileiros (JOURNAL) |
| Journal identifiers | ISSN: 0020-3874 • E-ISSN: 2316-901X |
| Publisher | Universidade de São Paulo. Agência de Bibliotecas e Coleções Digitais (PUBLISHER) |
| DOI | 10.11606/issn.2316-901x.88.2024.229335 |
| OpenAlex | W4402443815 |
| Language | PT |
This paper analyzes the career of the sculptor and foundryman Roque de Mingo (1890-1972), who was active in São Paulo in the first decades of the 20th century. The text seeks to examine how he entered the artistic field in a way that was initially alien to academic institutions - as an artistic foundryman - until he gradually reached positions of power within this circuit. Our hypothesis is that the trajectory of this sculptor-foundryman reveals the expectations and conflicts experienced by these actors who, due to their humble social origins, had to approach the artistic world as craftsmen. In this way, they could guarantee an immediate income and, at the same time, frequent contact with artists and the practice of sculpture
Art · Humanities · History of Education Research in Brazil · Urban and sociocultural dynamics
| Highly cited | No |
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