Mário e o Barroco
Bibliographic Data
| ID | 2743790 |
|---|---|
| Authors | José Augusto Avancini (Universidade Federal do Rio Grande do Sul, corresponding author) |
| Year | 1994 |
| Volume | 0 |
| Issue | 36 |
| Pages | 47 |
| Publication date | 1994-07-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista do Instituto de Estudos Brasileiros (JOURNAL) |
| Journal identifiers | ISSN: 0020-3874 • E-ISSN: 2316-901X |
| Publisher | Universidade de Sao Paulo, Agencia USP de Gestao da Informacao Academica (AGUIA) (PUBLISHER) |
| DOI | 10.11606/issn.2316-901x.v0i36p47-66 |
| OpenAlex | W2008555053 |
| Language | PT |
| Citations received | 2 |
One of the main parts of Mário de Andrade ́s theory on Brasil-the baroque style is studied using four chornicles published by Mario de Andrade in 1920. In these chronicles, the author focuses upon architecture, sculpture and painting and reognizes the intricacy and richness of Minas Gerais ́s artistic works. From the creators of these works, Mário de Andrade distinguishes the artist Aleijadinho and works with the social function as the criterion for recognition of this sculptor as the best expression of brazilian national spirit. It is concluded that, at that moment in time, Mário de Andrade ́s critical thought associated baroque style, nationalism and German culture, making room for the valorization of our own historical heritage
Archaeology · Art · Art history · Baroque · Expression (computer science) · German · Humanities · Nationalism · Painting · Sculpture · Social function · Style (visual arts) · Visual arts · History · Law · Literature, Culture, and Criticism · Urban and sociocultural dynamics · Urban Development and Societal Issues
| Citations per year | 0.67 |
|---|---|
| Citation span | 2023 - 2024 (2) |
| Highly cited | No |