Samson in Vienna
The Theatrics of Jewish Masculinity
Bibliographic Data
| ID | 2758786 |
|---|---|
| Authors | Sharon Gillerman (corresponding author) |
| Year | 2003 |
| Volume | 9 |
| Issue | 2 |
| Pages | 65-98 |
| Publication date | 2003-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Jewish Social Studies (JOURNAL) |
| Journal identifiers | ISSN: 0021-6704 • E-ISSN: 1527-2028 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/jss.2003.0012 |
| OpenAlex | W4231150618 |
| Language | EN |
| Citations received | 4 |
| References cited | 9 |
In the winter of 1923, dramatic political events were unfolding in and around Vienna. Bloody confrontations were taking place between monarchists and socialists; the nascent Nazi Party was flexing its political muscle on the city's streets; the treaty of St. Germain became a flashpoint for Vienna's nationalists; and pan-German passions were inflamed by the French occupation of the Ruhr. Yet, for several months, these events were practically eclipsed by a most unlikely episode in Viennese popular culture. The Viennese public was held in breathtaking suspense "by a phenomenon that has simply never been witnessed," reported the Wiener Sonn- und Montags-Zeitung
Ancient history · Archaeology · Art · Art history · German · Judaism · Literature · Masculinity · Nazism · Passions · Political science · Politics · Sociology · Treaty · Central European national history · Cinema and Media Studies · European history and politics · Gender Studies · German legal, social, and political studies · History · Jewish and Middle Eastern Studies · Law · Philosophy · Religious studies · Themes in Literature Analysis
| Unique citing works | 4 |
|---|---|
| Citations per year | 0,19 |
| Citation span | 2005 - 2014 (10) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 4 |