Pogrom and Avant-Garde

A bstr Act Through a close reading of Peretz Markish’s Di kupe (The Mound), this article suggests that the avant-garde is less a movement directed at a determined future than one that escapes an impossible past. One of the major works of the Yiddish avant-garde poetry, Di kupe reflects a materialist vision of history, repudiating thereby an age-old Jewish tradition, its martyrology, and its concept of history. Di kupe, I argue, highlights the avant-garde as a subversive gesture that not only repudiates the past but also flouts any order as such. The article traces the ways by which the cubo-futuristic and constructivist aesthetics of the poem reflect Markish’s materialist vision

Art · Italian Fascism and Post-war Society · Jewish and Middle Eastern Studies · Philosophy, Ethics, and Existentialism

• The Epic Demands of Postwar Yiddish

  Hannah Pollin-Galay•East European Jewish Affairs•2018

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