Breton Folk Music, Breton Identity, and Alan Stivell's Again
Bibliographic Data
| ID | 2777087 |
|---|---|
| Authors | Stephen D Winick (corresponding author) |
| Year | 1995 |
| Volume | 108 |
| Issue | 429 |
| Pages | 334 |
| Publication date | 1995-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of American Folklore (JOURNAL) |
| Journal identifiers | ISSN: 0021-8715 • E-ISSN: 1535-1882 |
| Publisher | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.2307/541889 |
| OpenAlex | W2330977182 |
| Language | EN |
| Citations received | 2 |
century. One aspect of that revitalization was the discovery and widespread collection of folk music, which in turn led to a new generation of musicians taking up old forms of music and remaking them, fresh, for the contemporary world. Brittany has also developed one of the strongest regional recording industries in Europe, which ensures that music of all sorts, old and new, traditional and revival, gets released for public consumption. In this review, I examine some recent releases that have come
Aesthetics · Art · Art history · Consumption (sociology) · Folk music · Folk song · Identity (music) · Literature · Musical · Popular music · Visual arts · Cultural Identity and Heritage · History · Music History and Culture · North African History and Literature
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,1 |
| Citation span | 2005 - 2008 (4) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |