Hybridity in New World Baroque Theory
Datos Bibliográficos
| ID | 2797553 |
|---|---|
| Autores | César Augusto Salgado |
| Año | 1999 |
| Volumen | 112 |
| Número | 445 |
| Páginas | 316-331 |
| Fecha de publicación | 1999-07-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Journal of American Folklore (JOURNAL) |
| Identificadores de la revista | ISSN: 0021-8715 • E-ISSN: 1535-1882 |
| Editorial | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.2307/541365 |
| OpenAlex | W2324653674 |
| Idioma | EN |
| Citas recibidas | 9 |
| Referencias citadas | 10 |
This article surveys a genealogy of 20th-century writings on the cultural study of baroque art, literature, and architecture produced in Latin America during the colonial period. It explores the role that theorizing the hybrid plays in works by "neobaroque" authors like José Lezama Lima, Alejo Carpentier, and Severo Sarduy and how they define in their works a "New World baroque" aesthetic that is distinct from European sources. The article focuses on Lezama Lima's influential contribution to the debate
Archaeology · Art · Art history · Baroque · Colonialism · Hybridity · Latin Americans · Linguistics · Literature · Visual arts · Afro-Latin American Studies · Architecture · History · Latin American Literature Studies · Literature, Magical Realism, García Márquez · Philosophy
Becoming-Baroque
Decolonial Ecologies
Aleijadinho’s Mestiço Architecture in Eighteenth-Century Brazil
Walt’s Art History
Taxidermy and Natural History Dioramas
Albums, Atlases, and their Afterlives
Retracing Voyages of Science and Conquest
Floras, Herbaria, and Botanical Illustration
Hybridity in New World Baroque Theory
| Obras citantes distintas | 9 |
|---|---|
| Citas por año | 0,33 |
| Intervalo de citas | 1999 - 2023 (25) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 8 |