Bill Malone, Alan Lomax, and the Origins of Country Music

Datos Bibliográficos

ID2811782
AutoresRonald D Cohen (autor de correspondencia)
Año2014
Volumen127
Número504
Páginas126-139
Fecha de publicación2014-04-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaJournal of American Folklore (JOURNAL)
Identificadores de la revistaISSN: 0021-8715 • E-ISSN: 1535-1882
EditorialUniversity of Illinois Press (PUBLISHER • US)
DOI10.5406/jamerfolk.127.504.0126
OpenAlexW2002622848
IdiomaEN
Citas recibidas2
Referencias citadas24

Bill Malone has rightly been known as the dean of country music historians, beginning with the publication of Country Music U.S.A. in 1968. Malone has continually argued that country music had its beginnings in the South and has long remained basically a regional musical style. It is not clear, however, if this should be assumed, since vernacular music, perhaps a better term, has always existed nationwide. This essay makes the argument that studies of country music should take a national approach, focusing in particular on the northern collecting trips of Alan Lomax and numerous other folklorists and scholars, as well as the work of various musicians, including Paul Clayton. Future studies, therefore, should not take the southern focus for granted but should assume a countrywide approach

Argument (complex analysis) · Art · Country · Economics · Focus (optics) · Literature · Management · Music history · Musical · Sociology · Style (visual arts) · TRIPS architecture · Vernacular · Computer Science · Diverse Musicological Studies · Folklore, Mythology, and Literature Studies · History · Music History and Culture