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Bharata's Concept of Sādhāraṇa

Bibliographic Data

ID2820879
AuthorsNazir Ali Jairazbhoy (corresponding author)
Year1958
Volume21
Issue1
Pages54-60
Publication date1958-02-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueBulletin of the School of Oriental and African Studies (JOURNAL)
Journal identifiersISSN: 0041-977X • E-ISSN: 1474-0699
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0041977x00063229
OpenAlexW2159459590
LanguageEN

Many of the concepts of Indian music commonly prevalent in Bharata's time, and expressed quite succinctly in his Nāṭyaśāstra, have subsequently been confused by later writers. Even now, several modern writers are still in some doubt as to the nature of the ancient parent scales, the sa-grāma and the sa-grāma. The fundamental difficulty hinges around the location of the svara (note) in relation to its śrutis (component intervals). Contrary to Western practice, the interval is considered to precede the note, so that the four śrutis of sa are located between sa and the ni below it

Combinatorics · Data mining · Genealogy · Interval (graph theory) · Relation (database) · Computer Science · Diverse Musicological Studies · History · Indian and Buddhist Studies · Mathematics · Musicology and Musical Analysis · Philosophy

Citation velocityhistorical
Highly citedNo

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