From the Calendas to the Calenda
On the Afro-Iberian Substratum in Black Performance Culture in the Americas
Dados Bibliográficos
| ID | 2825322 |
|---|---|
| Autores | Jeroen Dewulf (0000-0003-4579-3086, autor correspondente) |
| Ano | 2018 |
| Volume | 131 |
| Fascículo | 519 |
| Páginas | 3-29 |
| Data de publicação | 2018-01-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Journal of American Folklore (JOURNAL) |
| Identificadores do periódico | ISSN: 0021-8715 • E-ISSN: 1535-1882 |
| Editora | University of Illinois Press (PUBLISHER • US) |
| DOI | 10.5406/jamerfolk.131.519.0003 |
| OpenAlex | W2788644138 |
| Idioma | EN |
| Citações recebidas | 6 |
| Referências citadas | 46 |
This article presents a new theory on the origin of the calenda (also known as calinda, colinda, corlinda, and caringa) by analyzing the term from an Iberian perspective. It claims that the term should not be understood as a type of dance or song, but as a festive period in the Iberian calendar. It explains the calenda with reference to an Afro-Iberian substratum in Black performance culture in the Americas and highlights the role of brotherhoods
Art · Black culture · Sociology · Gender Studies · Hispanic-African Historical Relations · Spanish Literature and Culture Studies · Theater, Performance, and Music History
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| Obras citantes distintas | 6 |
|---|---|
| Citações por ano | 0,75 |
| Intervalo de citações | 2018 - 2026 (9) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 6 |