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Islamic Musical Forms and Local Identity in Post-Reform Indonesia

Bibliographic Data

ID2842933
AuthorsNeneng Yanti Khozanatu Lahpan (0000-0002-0767-2980, 1 Institut Seni Budaya Indonesia Department of Cultural Anthropology Indonesia Bandung, corresponding author)
Year2019
Volume175
Issue2-3
Pages284-308
Publication date2019-07-12
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueBijdragen tot de taal- land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia (JOURNAL)
Journal identifiersISSN: 0006-2294 • E-ISSN: 2213-4379
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/22134379-17502003
OpenAlexW2956217274
LanguageEN
Citations received2
References cited16

Through an analysis of local Sundanese music in distinct settings in village and urban contexts, this article observes and analyses different constructions of meaning around Sundanese Islamic music, as well as the role played by cultural activists and village audiences in those constructions. Based on fieldwork in Tasikmalaya, West Java, I explore the novel meanings given to village genres in urban contexts, and contrast that with the affective responses of village audiences. I find that musical meanings offer different processes of identity formation within particular social boundaries. Emergent Indonesian political developments shape these processes

Aesthetics · Art · Epistemology · Identity (music · Indonesian · Islam · Linguistics · Meaning (existential · Musical · Musical form · Political science · Politics · Sociology · Visual arts · Anthropological Studies and Insights · Asian Studies and History · Gender Studies · History · Law · Philosophy · Southeast Asian Sociopolitical Studies

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Unique citing works2
Citations per year2
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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