Traces of the Other Form of Life
The Rural, the Urban, and Indonesians’ Social Mobility in Candra Aditya’s Dewi pulang
Bibliographic Data
| ID | 2885587 |
|---|---|
| Authors | Verena Meyer (0000-0001-5465-4833, Columbia University USA New York, NY, corresponding author) |
| Year | 2021 |
| Volume | 177 |
| Issue | 2-3 |
| Pages | 234-242 |
| Publication date | 2021-07-09 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Bijdragen tot de taal- land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia (JOURNAL) |
| Journal identifiers | ISSN: 0006-2294 • E-ISSN: 2213-4379 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/22134379-bja10031 |
| OpenAlex | W3178520925 |
| Language | EN |
| References cited | 3 |
Candra Aditya's short film Dewi pulang (2018) shows how Dewi's life in Jakarta is in tension with the life of her Javanese village, to which she returns when her father dies. Understanding Jakarta and the village as Wittgensteinean 'forms of life', I argue that the film portrays the two as simultaneously antagonistic and mutually intertwined, as each form of life is present in the other as a trace. The film uses the Javanese literary convention of sěmu, through which subtle messages are simultaneously revealed and concealed, to suggest that the transcendence of the conflict in the final scene defies reification through language because it seems impossible. By pointing to the reality of the unthinkable, the film proposes an understanding of incompatible forms of life and social locations as connected through complex interplays of presences and absences
Aesthetics · Art · Convention · Epistemology · Linguistics · Political science · Politics · Reification (Marxism · Social life · Social science · Sociology · TRACE (psycholinguistics) · Transcendence (philosophy · Asian Studies and History · Gender and Women's Rights · Law · Philosophy · Socioeconomic Development in Asia
| Citation velocity | historical |
|---|---|
| Highly cited | No |