Grammatical Parallelism and Its Russian Facet
Bibliographic Data
| ID | 2900744 |
|---|---|
| Authors | Roman Jakobson (corresponding author) |
| Year | 1966 |
| Volume | 42 |
| Issue | 2 |
| Pages | 399 |
| Publication date | 1966-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Language (JOURNAL) |
| Journal identifiers | ISSN: 0097-8507 • E-ISSN: 1535-0665 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/411699 |
| OpenAlex | W2330755080 |
| Language | EN |
| Citations received | 84 |
We have learned the suggestive etymology of the terms PROSE and VERSE-the former, oratio prosa < prorsa < proversa 'speech turned straightforward', and the latter, versus 'return'. Hence we must consistently draw all inferences from the obvious fact that on every level of language the essence of poetic artifice consists in recurrent returns. Phonemic features and sequences, both morphologic and lexical, syntactic and phraseological units, when occurring in metrically or strophically corresponding positions, are necessarily subject to the conscious or subconscious questions whether, how far, and in what respect the positionally corresponding entities are mutually similar. Those poetic patterns where certain similarities between successive verbal sequences are compulsory or enjoy a high preference appear to be widespread in the languages of the world, and they are particularly gratifying both for the study of poetic language and for linguistic analysis in general. Such traditional types of canonic parallelism offer us an insight into the various forms of relationship among the different aspects of language and answer the pertinent question: what kindred grammatical or phonological categories may function as equivalent within the given pattern? We can infer that such categories share a common denominator in the linguistic code of the respective speech community. Of these systems the biblical PARATJLETLISMUS MEMBRORUM was the first to attract the attention of Western scholars. In 'The Preliminary Dissertation' to his translation of Isaiah, first published in 1778, Robert Lowth laid down the foundations of a systematic inquiry into the verbal texture of ancient Hebrew poetry, and adopted the term 'parallelism' for poetics
Facet (psychology · Linguistics · Parallel computing · Parallelism (grammar) · Computer Science · Discourse Analysis and Cultural Communication · Linguistics and language evolution · Philosophy · Psychology · Social Psychology
Defining rhythm
Language and Poetic Structure
Scalar Poetics in Ritual Language
Reflexive language and the human disciplines
The Finnic Tetrameter – A Creolization of Poetic Form?
Language and Creativity
Divine Epithets and the Dibacchius
Detecting structured repetition in child-surrounding speech
Semantic Parallelism in Traditional Kakataibo Chants
Some People
Etkileşimleri İçinde Roman Jakobson ve Petr Bogatyrev'in Folklor Anlayışları
The Composition of Mark 4
A Poetic Analysis of Isaiah 40
Folklore and Sociolinguistics
Parallelism and Poetics in Tindi Narratives Sung in the Ipili Language
Artificial Punning in the Egyptian Arabic Ballad
The Slavic Akathistos Hymn
Prefigurements of Art
Stylistics and the Theory of Literature
Spectral Subversions
Parallelism in Ugaritic Poetry
Aspects of Historical Poetics and Pragmatics of Slavic Charms
Reflections of Belief Systems in Karelian and Lithuanian Laments
Canaanite Parallelism in Hittite and Egyptian Texts
A fool for rhythm
The Poetics of the Crocodile
Towards a Typology of Parallelism in Estonian Poetic Folklore
A poética do mercado público
Las palabras que contaron los antepasados
Paralelismo, ciclicidad y creatividad en el arte verbal maya yucateco
Reiteration
Collaboration and contestation in a dispute about space in an Indo-Guyanese village
Good Things Come in Pairs
On the Pragmatic Poetry of Pose
Translation Between Linguistic Worlds
Eesti regivärsi parallelism ja maagilise elutunde taandumine
From cognitive-functional linguistics to dialogic syntax
Towards a dialogic syntax
Children Socializing Children
The Metrical Structure of the Oral Decapentasyllable
Estructura retórica, recursos lingüísticos y función social del nqataGak (consejo toba)
Reading Poetry and Prose
Parallelism and deep structure meaning in Estonian Folksong
The negative parallel or negative simile in Latvian folk poetry
A genealogy of poetry
Roman Jakobson's verbal analysis of poetry
Sentences in discourse
Persian Folksong in Meshhed (Iran), 1969
Master poets, ritual masters
With One Lip, with Two Lips
Some Ritual Techniques in the Bull-Cult of the Buriat-Mongols
Verbal art as heuristic for semantic analyses
Aspects of poetic balance and cohesion in Hausa proverbs
Disciplinarity, Relflexivity, and Power in Verbal Art as Performance
Poetics through Body and Soul
Scale of ‘Relevance’ and Complementarity
Sung Tales from the Papua New Guinea Highlands
Liver and Lungs
Explorations in Semantic Parallelism
Repetición y paralelismo en una ceremonia de pedida matrimonial chol
Investment in a model of stancetaking
Patterning in rhyme initials
The Linguistic Society of America and North American Linguistics, 1950-1968
Repetition as a Rhetorical and Conversational Device in Tojolabal (Mayan)
Historical Poetics and Poetic Language
In the Wilderness
From oral ceremony to written document
Binomials and the Noun-to-Verb Ratio in Puma Rai Ritual Speech
Linguistic Hauntings at the Margins of China
The role of repetition in perceptions of discourse coherence
"The "body poetics
Place, names, and authority in Weyéwa ritual speech
The poetics of stance
Caminhos De Sopro
Poetic improvisation in the Brazilian Northeast
Repetition
Delegated voice
Talking About Troubles
Verbal Art as Performance1
Poetics and Performances as Critical Perspectives on Language and Social Life
My Heart Opens and My Spirit Flies
The Dragon and the River
The king of martyrs
The semantics of akisemem
| Unique citing works | 84 |
|---|---|
| Citations per year | 1,53 |
| Citation span | 1971 - 2026 (56) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 83 |