The rhetoric of the real

Stereotypes of rural youth in American reality television and stock photography

Bibliographic Data

ID2918286
AuthorsCarissa Massey (Adrian College, corresponding author)
Year2017
Volume38
Issue3
Pages365-376
Publication date2017-05-04
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueDiscourse Studies in the Cultural Politics of Education (JOURNAL)
Journal identifiersISSN: 0159-6306 • E-ISSN: 1469-3739
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/01596306.2017.1306982
OpenAlexW2599527672
LanguageEN
Citations received3
References cited6

Through an examination of the visual rhetoric of identity presented by reality shows, especially Here Comes Honey Boo Boo, this paper explores ways in which American reality television and related media images construct, deploy, and reiterate visual stereotypes about whites from rural regions of the United States. Its focus is the relationship between image rhetoric and social identity expression and how they converge to create a discourse loop. Combining identity theory and visual rhetoric studies as a unique methodological lens, this paper focuses on why and how stereotypes circulate in the so-called realistic media. The implications of broadening stereotype study to include all varieties of visual artifacts in analysis of specific tropes are particularly important to the study of stereotypes of white rural others, especially since such imagery has increased in volume in recent years and appears in several different types of media

Aesthetics · Art · Linguistics · Rhetoric · Social reality · Social science · Sociology · Visual rhetoric · Cinema and Media Studies · Photography and Visual Culture · Psychology · Social Psychology · Visual Culture and Art Theory

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