Musique de l'image ou image de la musique ? Quelques formes de médiatisation de la musique en France
Bibliographic Data
| ID | 2925130 |
|---|---|
| Authors | Vincent Rouzé (Université Paris 8, corresponding author) |
| Year | 2011 |
| Volume | 36 |
| Issue | 1-2 |
| Pages | 161-176 |
| Publication date | 2011-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary French Civilization (JOURNAL) |
| Journal identifiers | ISSN: 0147-9156 • E-ISSN: 2044-396X |
| Publisher | Liverpool University Press (PUBLISHER • GB) |
| DOI | 10.3828/cfc.2011.12 |
| OpenAlex | W2001457643 |
| Language | FR |
| References cited | 6 |
In the age of digital technology, Web 2.0 and the crisis in record sales, connections between music and media and processes of media coverage are becoming far more complex. In this article, I will analyse some forms of media coverage in France. I will not emphasise direct forms of coverage (radio, television, press) but rather indirect forms such as "synchronisation" (advertising music) or music broadcast in public places. Often omitted from media or academic debates in France, these indirect forms play a key role in the payment of the artists, in guaranteeing their visibility in public places, but also in creating the sonic identities of brands or locations. Articulated with traditional forms of media coverage, these indirect forms lead us to question the role they play in the reinforcement of the star-system and in the valorisation of "global" musical styles
Art · Humanities · Musical · Visual arts · Cultural Identity and Heritage · Cultural Insights and Digital Impacts · Education, sociology, and vocational training
| Citation velocity | historical |
|---|---|
| Highly cited | No |