Art
Bibliographic Data
| ID | 2926484 |
|---|---|
| Authors | Tavia Nyong’o (corresponding author), Tavia Nyong''O, Tavia Nyong'O |
| Year | 2009 |
| Volume | 27 |
| Issue | 3 |
| Pages | 53-57 |
| Publication date | 2009-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Social Text (JOURNAL) |
| Journal identifiers | ISSN: 0164-2472 • E-ISSN: 1527-1951 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/01642472-2009-007 |
| OpenAlex | W4246448312 |
| Language | EN |
Was the photograph Shepard Fairey used as a basis for his “Hope” image of Barack Obama a social text? The Associated Press thought not when it threatened to sue Fairey for using a photograph it owned as the basis for his poster. What issues of aesthetics and appropriation are raised when remixers claim, in the name of an electronic commons, access to the anonymously produced creativity of the Internet
Aesthetics · Appropriation · Art · Art history · Commons · Creativity · Epistemology · Media studies · Political science · Sociology · The Internet · Threatened species · World Wide Web · Byzantine Studies and History · Classical Antiquity Studies · Computer Science · Historical Art and Culture Studies · Law · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |