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Babo's Great-Great Granddaughter

The Presence of Benito Cereno in Green Grass, Running Water

Bibliographic Data

ID2933168
AuthorsRobin Riley Fast (corresponding author)
Year2001
Volume25
Issue3
Pages27-46
Publication date2001-01-01
Open AccessYes
TypeARTICLE
VenueAmerican Indian Culture and Research Journal (JOURNAL)
Journal identifiersISSN: 0161-6463 • E-ISSN: 0161-6463
PublisherUCLA American Indian Studies Center (PUBLISHER • US)
DOI10.17953/aicr.25.3.p52205767r521203
OpenAlexW2283696008
LanguageEN
References cited4

Green C~russ, Running Water several intertwined "realistic" plots involving contemporary Canadian Blackfoot characters parallel and then intersect with a mythically based "supernatural" plot which itself includes at least four parallel stories. Lionel Red Dog approaches his fortieth birthday uncertain of his purpose in life. Alberta Frank tries to figure out how to have a child while avoiding a relationship with either Lionel or the ambitious, successful Charlie Looking Bear. Lionel's uncle, Eli Stands Alone, blocks the opening of a dam that would submerge his mother's house. Each of these realistic characters has a complex history, which is also told. Simultaneously, four old Indians set out to "fix the world," and arrive near the Blackfoot Reserve in time to celebrate Lionel's birthday and attend the annual Sun Dance. They are occasionally accompanied by Coyote, who moves back and forth between their real-world adventures and another space in which an unnamed narrating "I" comments on storytelling, the events told, and Coyote's behavior. Simultaneously, Doctor Joseph Hovaugh and Babo Jones, a janitor, set out to find the old Indians and return them to the hospital where they have been held, under treatment, according to Hovaugh, for depression. Most of these characters and their stories converge near the novel's end for one or more of its climactic moments. The convergence of plots and the interactions not only among characters but also among their distinct planes of being demonstrate the interpenetration of the mythic and the mundane that is an essential element of traditional American Indian understandings of myth. While these convergences and interactions, particularly given their often parodic impact

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