Musical Miscegenation and the Logic of Rock and Roll
"Homosocial Desire and Racial Productivity in "A Paler Shade of White
Datos Bibliográficos
| ID | 2970016 |
|---|---|
| Autores | Roshanak Kheshti (0009-0005-6290-6072, autor de correspondencia) |
| Año | 2008 |
| Volumen | 60 |
| Número | 4 |
| Páginas | 1037-1055 |
| Fecha de publicación | 2008-12-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | American Quarterly (JOURNAL) |
| Identificadores de la revista | ISSN: 0003-0678 • E-ISSN: 1080-6490 |
| Editorial | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/aq.0.0040 |
| OpenAlex | W1974047555 |
| Idioma | EN |
| Citas recibidas | 3 |
| Referencias citadas | 10 |
I've spent the past decade wondering why rock and roll, the most miscegenated popular music ever to have existed, underwent a racial re-sorting in the nineteen-nineties. Why did so many white rock bands retreat from the ecstatic singing and intense, voicelike guitar tones of the blues, the heavy African downbeat, and the elaborate showmanship that characterized black music of the mid-twentieth century? Sasha Frere-Jones, A Paler Shade of White
Aesthetics · Art · Economics · Musical · Productivity · Sociology · Visual arts · White (mutation · Gender Studies · History · Music History and Culture · Race, History, and American Society · Theater, Performance, and Music History
| Obras citantes distintas | 3 |
|---|---|
| Citas por año | 0,2 |
| Intervalo de citas | 2011 - 2021 (11) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 3 |