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Nsumwinu

Meaning and role in the structural composition of melodies in the urban music of the Democratic Republic of the Congo

Bibliographic Data

ID2980309
AuthorsKazadi Wa Mukuna (0000-0003-3914-6624, Kent State University, corresponding author)
Year2012
Pages199-210
Publication date2012-08-25
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAfrica (JOURNAL)
Journal identifiersISSN: 0001-9720 • E-ISSN: 1750-0184
PublisherUniversity of São Paulo (PUBLISHER • BR)
DOI10.11606/issn.2526-303x.v0iespp199-210
OpenAlexW2256312220
LanguageEN
Citations received1
References cited2

The examination of the inserted nsumwinu (singular - Kasumwinu), in the lyrics of popular songs in the Democratic Republic of the Congo (DRC), reveals hidden roles that are both musical and linguistic. Musically, the compositional technique of the melodic contour is derived from the observation of the semantic level of the language represented by the sequential pattern of tones on words that compose the kasumwinu. Linguistically, this sequential pattern of tones that determines the meaning of the word, must be faithfully observed in the music's compositional process of the basic melodic contour, i.e., the linguistic tones dictate the direction of musical intervals, leaving the decision of the size of the interval to the creative discretion of the composer.1 This essay will reveal the linguistic significance and role of nsumwinu, in the urban music of the DRC, and to conclude that they provide the musical flexibility without altering the overall meaning of their intended message

Art · Composition (language) · Democracy · Linguistics · Literature · Lyrics · Meaning (existential) · Melody · Musical · Musical composition · Musical notation · Political science · Diverse Musicological Studies · Law · Musicology and Musical Analysis · Philosophy · Psychology

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Unique citing works1
Citations per year0,08
Citation span2013 - 2013 (1)
Citation velocityhistorical
Highly citedNo

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