Forms of Life for Meaghan Morris
Bibliographic Data
| ID | 2980942 |
|---|---|
| Authors | Pam Brown, Pamela Brown (0000-0002-7558-7155, The University of Melbourne, corresponding author) |
| Year | 2018 |
| Volume | 24 |
| Issue | 1 |
| Publication date | 2018-04-20 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cultural Studies Review (JOURNAL) |
| Journal identifiers | ISSN: 1446-8123 • E-ISSN: 1837-8692 |
| Publisher | University of Technology, Sydney (UTS) (PUBLISHER) |
| DOI | 10.5130/csr.v24i1.5971 |
| OpenAlex | W2800301590 |
| Language | EN |
Meaghan once remarked (I think to the poet and art critic Ken Bolton) that she didn't like poetry because of all the empty space on the page. A quarter of a century ago in 1992, in Ecstasy and Economics: American Essays for John Forbes, she said she was 'a desultory reader of poetry' and that reading poetry might induce a 'scary cultural estrangement'.1 In the foreword, she extrapolates the 'awkward' place of poetry in cultural studies then as being more an American problem than an Australian one but nearly a quarter of a century later I wonder if poetry has made an individuated local spot for itself, or even if it cares to. I mean, 'should poetry worry
American poetry · Art · Art history · Literature · Poetry · Quarter (Canadian coin · Reading (process · Wonder · Australian History and Society · Geographies of human-animal interactions · History · Irish and British Studies · Philosophy
| Highly cited | No |
|---|