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"A "Revolution in Ink

Sui Sin Far and Chinese Reform Discourse

Bibliographic Data

ID2983609
AuthorsMary Chapman (0000-0001-8359-9423, corresponding author)
Year2008
Volume60
Issue4
Pages975-1001
Publication date2008-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAmerican Quarterly (JOURNAL)
Journal identifiersISSN: 0003-0678 • E-ISSN: 1080-6490
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/aq.0.0053
OpenAlexW2005949571
LanguageEN
Citations received4
References cited20

This essay takes Asian-American writer Sui Sin Far (Edith Eaton) as a case study of how non-white, non-middle-class women reacted to the exclusiveness of the suffragist campaign. Against a backdrop of nativist, racist suffragism, it rereads Sui Sin Far's fiction and essays not as "anti-progressive" and "anti-suffragist", as recent scholars have claimed, but as a reaction to the exclusiveness of white suffragists who routinely invoked the trope of the bound feet of Chinese women as a figure for their own oppression while ignoring Chinese-Americans' claims to the franchise. This essay documents the ways in which Sui Sin Far's works were inspired by transnational as well as American models of modernization, particularly the Chinese reform movement which led to the temporary enfranchisement of women in Guandong Province eight years before the ratification of the 19th Amendment in the US. Learning from both Chinese reformer journalists who advocated "a revolution in ink" and nativist suffragists' own critical quotational strategies, Sui Sin Far's fiction fashions a resistant minority female voice through aggressive literary/ stenographic transcription

Media studies · Middle class · Modernization theory · Oppression · Political science · Politics · Ratification · Sociology · White (mutation · Asian American and Pacific Histories · Chinese history and philosophy · Gender Studies · History · Japanese History and Culture · Law

  • Disease, Disability, and the Alien Body in the Literature of Sui Sin Far

    Jay Sibara, J B Sibara•MELUS Multi-Ethnic Literature of…•2014

  • Write as another

    Zhen Liu•British Journal of Canadian Studies•2022

  • Slavery in Sui Sin Far’s Early Fictions

    Caroline H Yang•Journal of Asian American Studies•2019

  • Cross-Cultural Affinities between Native American and White Women in "The Alaska Widow" by Edith Eaton (Sui Sin Far)

    Mary Chapman•MELUS Multi-Ethnic Literature of…•2013

  • Women in Chinese society

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  • Sensational designs

    Jane P Tompkins•Sensational designs•1985

  • Unbound Feet

    Benson Tong, Judy Yung•The American Historical Review•1997

  • Sentimentalism and Sui Sin Far

    Min Hyoung Song•Legacy•2003

  • Global Space and the Nationalist Discourse of Modernity

    Xiaobing Tang•Global Space and the Nationalist…•2020

  • Liang Ch'i-ch'ao and Intellectual Transition in China, 1890-1907

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  • Shanghai and the Edges of Empires

    Meng Yue•University of Minnesota Press…•2007

  • Typewriters and the Vote

    Victoria Olwell•Signs: Journal of Women in…•2003

  • Connecting Links

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  • Feminism and Nationalism

    Suha Sabbagh•Journal of Palestine Studies•1995

  • On Women's Education

    Open Access•Helen Freeman•Journal of Philosophy of Education•1977

  • Woman Suffrage and the Origins of Liberal Feminism in the United States, 1820-1920

    Sylvia D Hoffert, Suzanne M Marilley•Journal of the Early Republic•1997

  • Women's Suffrage in China

    Louise Edwards•Pacific Historical Review•2000

  • Constructing the Woman Citizen and Struggling for the Vote in California, 1896-1911

    Gayle Gullett•Pacific Historical Review•2000

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    John Putman, John C Putman•Pacific Historical Review•2000

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    Janet Salaff, Janet W Salaff et al.•Pacific Affairs•1979

Unique citing works4
Citations per year0,31
Citation span2013 - 2022 (10)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 4

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