Palpable History
Bibliographic Data
| ID | 2996151 |
|---|---|
| Authors | Ross Gibson (0000-0002-7049-1090, University of Technology Sydney, corresponding author) |
| Year | 1970 |
| Volume | 14 |
| Issue | 1 |
| Publication date | 1970-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cultural Studies Review (JOURNAL) |
| Journal identifiers | ISSN: 1446-8123 • E-ISSN: 1837-8692 |
| Publisher | University of Technology, Sydney (UTS) (PUBLISHER) |
| DOI | 10.5130/csr.v14i1.2113 |
| OpenAlex | W4233026371 |
| Language | EN |
| Citations received | 5 |
The article focuses on the essence of non-verbal and palpable historiography. It discusses some screen effects in an artwork called Street X-Rays and cites that viewers at the exhibition could think about the historical feeling rather than its meaning and that although the kinetic event is gone, one could imagine its continuity. Moreover, it is noted that the conditions of living and working in an aftermath-culture like Australia provides that the vital evidence is either missing or non-textual
Aesthetics · Archaeology · Art · CITES · Epistemology · Event (particle physics · Exhibition · Feeling · Historiography · Literature · Meaning (existential · Media studies · Project commissioning · Publishing · Sociology · Visual arts · History · Memory, Trauma, and Commemoration · Museums and Cultural Heritage · Philosophy · Photography and Visual Culture · Psychology · Social Psychology
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,29 |
| Citation span | 2009 - 2026 (18) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 5 |