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Georgian Film Is a Completely Unique Phenomenon.' A Film Scene with History, or Georgian Cinema in the Emancipation Loop

Bibliographic Data

ID3010483
AuthorsBernd Buder (Carl-Thiem-Klinikum Cottbus, corresponding author)
Year2018
Volume66
Issue3
Pages426-440
Publication date2018-09-25
Open AccessYes
TypeARTICLE
VenueComparative Southeast European Studies (JOURNAL)
Journal identifiersISSN: 2701-8199 • E-ISSN: 2701-8202
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/soeu-2018-0032
OpenAlexW2891174047
LanguageEN

With a view of Georgian cinema under the current spotlights of various international film festivals, the author reviews the state of the art of Georgian film production, linking it to the impressively long history of Georgia's cinematographic production. Recently, a targeted film promotion policy has focused on international co-productions and on fostering cooperative ventures with European partners. Among the young filmmakers a remarkably large proportion are female

Art · Art history · Emancipation · Epistemology · Georgian · Linguistics · Media studies · Movie theater · Phenomenon · Political science · Politics · Promotion (chess · Sociology · Gender Studies · Global Socioeconomic and Political Dynamics · History · Law · Philosophy · Post-Soviet Geopolitical Dynamics · Russia and Soviet political economy

Highly citedNo

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