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Occupy Wall Street, Racial Neoliberalism, and New York's Hip-Hop Moguls

Bibliographic Data

ID3015578
AuthorsEithne Quinn (0000-0003-4359-8017, corresponding author)
Year2016
Volume68
Issue1
Pages75-99
Publication date2016-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAmerican Quarterly (JOURNAL)
Journal identifiersISSN: 0003-0678 • E-ISSN: 1080-6490
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/aq.2016.0009
OpenAlexW2332317741
LanguageEN
Citations received7
References cited17

This article explores the responses of three New York hip-hop entrepreneurs-Russell Simmons of Def Jam, Shawn Carter (Jay Z), and Curtis Jackson (50 Cent)-to the Occupy Wall Street mobilization of 2011. Occupy protested against extreme levels of inequality, declaring that it represented the 99 percent in opposition to the 1 percent financial elite. While these moguls were all within the 1 percent ranks, seen by many as emblematic of winner-takes-all neoliberal realignment, they had nonetheless built star brands that represented people, in intersectional race and class terms, at the other end of the economic spectrum. This tension was negotiated in markedly different ways by the three moguls. Through these comparative cases, this article engages and assesses scholarly accounts of race, popular culture, and neoliberalism. It suggests that certain dominant frames do not leave much room to draw distinctions between the moguls' responses, and that this may be politically concerning

Elite · Inequality · Neoliberalism (international relations · Opposition (politics · Political economy · Political science · Politics · Race (biology · Racism · Sociology · Gender Studies · Gender, Feminism, and Media · Law · Music History and Culture · University Challenges and Reforms

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Unique citing works7
Citations per year0,88
Citation span2018 - 2024 (7)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 7

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