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In Search of Catharsis. Theatre in Serbia in the 1990s

Bibliographic Data

ID3023734
AuthorsIrena Šentevska (0009-0005-0665-6208, Peđe Milosavljevića 68/I, 11070 Novi Beograd , Serbia, corresponding author)
Year2018
Volume65
Issue4
Pages607-631
Publication date2018-01-26
Open AccessYes
TypeARTICLE
VenueComparative Southeast European Studies (JOURNAL)
Journal identifiersISSN: 2701-8199 • E-ISSN: 2701-8202
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/soeu-2017-0041
OpenAlexW2780325590
LanguageEN
Citations received1
References cited1

This paper discusses various points about the response of the Serbian theatre to the social crisis of the 1990s. The focus here is on publicly-funded theatres and their role in pacifying or mobilizing theatre audiences either to participate in or revolt against the political projects which accompanied the dissolution of Yugoslavia. The Serbian theatre system in the 1990s entered a clear process of transformation of its models of management, production, financing, public relations and, naturally, the language and forms of expression inherited from the socialist 1980s. The chief interest of this study is the transformation of the theatre system since the end of World War II, theatrical interpretations of the historical and literary past in Serbia, the role of theatre in the identity 'makeovers' that followed the demise of Yugoslavia, and stage interpretations of contemporary crises. Consideration is also given to the present state of the theatre in Serbia

Aesthetics · Art · Demise · Drama · Expression (computer science · Identity crisis · Linguistics · Literature · Political economy · Political science · Political theatre · Politics · Serbian · Social science · Sociology · State (computer science · Theatre studies · Balkan and Eastern European Studies · Balkans: History, Politics, Society · History · Law · Philosophy · Theatre and Performance Studies

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Citations per year0.2
Citation span2021 - 2021 (1)
Highly citedNo

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