Coral Cultures in the Anthropocene

Bibliographic Data

ID3031010
AuthorsJoshua Schuster (0009-0005-0894-676X, Western University, corresponding author)
Year2019
Volume25
Issue1
Pages85-102
Publication date2019-09-25
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCultural Studies Review (JOURNAL)
Journal identifiersISSN: 1446-8123 • E-ISSN: 1837-8692
PublisherUniversity of Technology, Sydney (UTS) (PUBLISHER)
DOI10.5130/csr.v25i1.6405
OpenAlexW2975610064
LanguageEN
Citations received5
References cited12

This essay discusses how coral is becoming a kind of charismatic megafauna and a cultural icon for extinction in the Anthropocene. Until recently, most of the cultural associations around coral emphasized the strangeness and exotic qualities of coral that combines animal, mineral, and vegetable bodies. Darwin studied coral as a robust maker of atolls, while Melville wrote about coral stringing the Pacific Islands as 'marine gardens.' More recent theorizing on coral from Eva Hayward and Stefan Helmreich has been keen to emphasize how coral is transbiological and queer in the multi-species kinships it enables. However, in recent decades, as evidence of bleaching and mass coral die-offs have been registered by marine scientists, coral is also fast becoming a barometer for the sixth mass extinction. I look at how contemporary cultural representations of coral are straining to reconfigure the life of coral as caught between associations of fragility and resilience, seeing coral as capable of supporting indigenous island civilizations while not being able to survive ocean warming of less than one degree Celsius. I examine the work of recent artists (Courtney Mattison and Alison McDonald) whose coral-themed work combines science and spectacle. These artists return to older visions of coral figured fantastically as both living and dead, yet updating this view for today, as we find coral to be a primary figure for life and death in the Anthropocene. I finish with a discussion of the recent documentary film Chasing Coral (2017) as negotiating multiple simultaneous visual tropes and coral conditions. This film aims to provide viewers with a sense of time constraints for scientists, filmmakers, and for coral reef colonies under extreme stress in areas including the Great Barrier Reef. The film tries to articulate a pathway between scientific documentation, environmental activism, and visual drama, ultimately composing these perspectives into a work that suggests that the imbalance and overlap of these ways of engaging with coral will provide a model for how to form a global coral culture movement

Anthropocene · Biology · Coral · Coral bleaching · Coral reef · Coral and Marine Ecosystems Studies · History · Ecology · Geology · Oceanography

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