Can You Anchor a Shimmering Nation State via Regional Indigenous Roots? Kim Scott talks to Anne Brewster about That Deadman Dance
Bibliographic Data
| ID | 3033709 |
|---|---|
| Authors | Anne Brewster (0000-0003-2308-3593, UNSW Sydney, corresponding author) |
| Year | 2011 |
| Volume | 18 |
| Issue | 1 |
| Publication date | 2011-10-19 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cultural Studies Review (JOURNAL) |
| Journal identifiers | ISSN: 1446-8123 • E-ISSN: 1837-8692 |
| Publisher | University of Technology, Sydney (UTS) (PUBLISHER) |
| DOI | 10.5130/csr.v18i1.2322 |
| OpenAlex | W1985965209 |
| Language | EN |
| Citations received | 2 |
This interview focuses mainly on Kim Scott's new novel That Deadman Dance which won the regional Commonwealth Writers Prize (Southeast Asian and Pacific region) and the Miles Franklin Award. The topics of conversation include Scott's involvement in the Noongar language project (and the relationship of this project to the novel), the novel itself, the challenges of writing in English, the resistance paradigm and indigenous sovereignty and nationalism
Art · Commonwealth · Conversation · Dance · Indigenous · Literature · Media studies · Nationalism · Political science · Politics · Publishing · Sociology · Sovereignty · State (computer science · History · Island Studies and Pacific Affairs · Law · Philippine History and Culture
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,18 |
| Citation span | 2015 - 2023 (9) |
| Citation velocity | historical |
| Highly cited | No |