Deleuze and the New Camera Consciousness
Bibliographic Data
| ID | 3035781 |
|---|---|
| Authors | A Mccosker (0000-0003-0666-3262, The University of Melbourne, corresponding author) |
| Year | 2013 |
| Volume | 10 |
| Issue | 2 |
| Pages | 224-228 |
| Publication date | 2013-08-30 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cultural Studies Review (JOURNAL) |
| Journal identifiers | ISSN: 1446-8123 • E-ISSN: 1837-8692 |
| Publisher | University of Technology, Sydney (UTS) (PUBLISHER) |
| DOI | 10.5130/csr.v10i2.3512 |
| OpenAlex | W2144028268 |
| Language | EN |
A review of Patricia Pisters' The Matrix of Visual Culture: Working With Deleuze in Film Theory (Stanford University Press, Palo Alto, 2003
Aesthetics · Art · Art history · Consciousness · Epistemology · Matrix (chemical analysis · Media studies · Sociology · Visual arts · Art, Politics, and Modernism · Cinema and Media Studies · Philosophy · Photography and Visual Culture
| Citation velocity | historical |
|---|---|
| Highly cited | No |