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Mapping Black Movement, Containing Black Laughter

Ralph Ellison's New York Essays

Bibliographic Data

ID3043286
AuthorsCynthia Dobbs (corresponding author)
Year2016
Volume68
Issue4
Pages907-929
Publication date2016-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAmerican Quarterly (JOURNAL)
Journal identifiersISSN: 0003-0678 • E-ISSN: 1080-6490
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/aq.2016.0072
OpenAlexW2565836867
LanguageEN
Citations received2
References cited10

This essay analyzes Ralph Ellison’s nonfiction about New York during the Harlem Renaissance—especially his essay “An Extravagance of Laughter” and its redacted version as Esquire magazine’s “New York, 1936”—as way to engage with larger questions of movement in and through what Houston Baker dubs “the American geography of race.” Ellison’s 1986 account of his mapping of the inscrutable spaces of the urban North fifty years earlier yields, I argue, important insights into the cultural geography of race, the problematic historiographies of the Great Migration, and the adaptive, if psychically treacherous, performativity of (African) American identity. I unpack Ellison’s figure of the laughing barrel as a trope for Jim Crow–era attempts to control the spectacle of Black bodies and the unsettling sonics of Black laughter / Black sound. I then track the trajectory of Ellison’s essay itself, from Going to the Territory’s mapping of hypervisual/invisible Black bodies/spaces to Esquire’s nostalgic travelogue as instantiations of ongoing (failed) strategies of containment of African American bodies and full expressive humanity. Ellison’s papers from the Library of Congress and a critical synthesis of African American studies, cultural geography, and cultural studies inform the argument

Art · Art history · Harlem Renaissance · Laughter · Literature · Performance art · Spectacle · Trope (literature · White (mutation · American and British Literature Analysis · Asian American and Pacific Histories · History · Race, History, and American Society

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    Open Access•Megan Cole Paustian•MELUS Multi-Ethnic Literature of…•2024

  • Mother wit from the laughing barrel

    Alan Dundes•Mother wit from the laughing barrel•1972

  • Ghostly Matters

    Avery F Gordon, Janice Radway•Ghostly Matters•2010

  • The warmth of other suns

    Isabel Wilkerson•Choice Reviews Online•2011

  • The Affect Theory Reader

    Melissa Gregg, Gregory J Seigworth•The affect theory reader•2010

  • "Masquerade, Magic, and Carnival in Ralph Ellison's "Invisible Man

    Christopher A Shinn, Christopher Shinn•African American Review•2002

  • He Speaks for Whom

    Ann Folwell Stanford•MELUS Multi-Ethnic Literature of…•1993

  • The Sounds of Black Laughter and the Harlem Renaissance

    Mike Chasar•American Literature•2008

  • The Visual Art of Invisible Man

    Lena M Hill, Lena Hill•American Literature•2009

  • Culture and Imperialism

    Andrew J Pierre, Edward Said et al.•Foreign Affairs•1993

Unique citing works2
Citations per year0,5
Citation span2022 - 2024 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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