Une identité collective contrefactuelle. Montolieu comme « village du livre et des arts graphiques
Bibliographic Data
| ID | 3055147 |
|---|---|
| Authors | Mohammad-Saïd Darviche (0000-0002-1450-212X, Centre d’Etudes Politiques Et sociaLes, corresponding author) |
| Year | 2002 |
| Volume | 15 |
| Issue | 59 |
| Pages | 149-169 |
| Publication date | 2002-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Politix (JOURNAL) |
| Journal identifiers | ISSN: 0295-2319 • E-ISSN: 1953-8286 |
| Publisher | PERSEE Program (PUBLISHER) |
| DOI | 10.3406/polix.2002.1229 |
| OpenAlex | W2050100195 |
| Language | FR |
| References cited | 3 |
A Counterfactual Collective Identity. Montolieu as « village du livre et des arts graphiques » Mohammad-Saïd Darviche When, at the beginning of the 1990s, a small commune in Aude (Montolieu) began to apply the concept, already tested in Northern Europe, of a « book town », it's people found themselves engaged in a reflexive process of identity reconstruction. Indeed, faced with the introduction of professional and amateur newcomers, but also due to the commitment of part of the local population and their representatives, a collective mobilization took form which engendered a new vision that was sufficiently credible to reformat the village's identity. This identity is « counterfactual » because its legitimacy and structuring effects stem not from the past, but from an anticipation of a future that local people hope will be a better
Aesthetics · Amateur · Art · Collective identity · Counterfactual thinking · Ethnology · Geography · Humanities · Legitimacy · Political science · Population · Reflexivity · Sociology · The arts · Anthropology · Cultural Identity and Heritage · Cultural Insights and Digital Impacts · Diverse Cultural and Historical Studies · Law · Psychology · Social Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |