Cinema and the Arts
Reassessing Theodor Adorno's Late Work
Bibliographic Data
| ID | 3070117 |
|---|---|
| Authors | Raquel Patriota (0000-0002-6801-3065, Universidade Federal do Rio Grande do Norte, corresponding author) |
| Year | 2022 |
| Volume | 41 |
| Issue | 2 |
| Pages | 353-369 |
| Publication date | 2022-08-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Novos Estudos - CEBRAP (JOURNAL) |
| Journal identifiers | ISSN: 0101-3300 • E-ISSN: 1980-5403 |
| Publisher | Novos Estudos - CEBRAP (PUBLISHER) |
| DOI | 10.25091/s01013300202200020009 |
| OpenAlex | W4312423653 |
| Language | EN |
| Citations received | 1 |
| References cited | 5 |
This paper starts from a revision of Adorno's late work, in particular his remarks on cinema, published in the 1960s. Our hypothesis is that cinema acquires relevance in Adorno's late work not only through a shift in his position regarding that medium itself, but rather due to a broader transformation in his aesthetic position, encompassing a distinct view on the procedures of modern art and the complex relations between the different artistic genres
Aesthetics · Art · Art history · Literature · Movie theater · Position (finance) · Relevance (law) · The arts · Visual arts · Art, Politics, and Modernism · Cinema and Media Studies · Philosophy · Visual Culture and Art Theory
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2024 - 2024 (1) |
| Citation velocity | recent |
| Highly cited | No |